Let’s not beat about the bush: we live in a time when funding for the arts is getting harder and harder to come by. Libraries are under threat, and creativity is increasingly disappearing from the school curriculum. Having said that, we are also living through an economic boom when it comes to the creative industries. So while on the surface it may feel as though opportunities for writers are few and far between, there are still plenty of opportunities to throw your hat into the ring.
In fact, there are so many opportunities, that last year I aimed to submit 100 applications in a year. I managed 87, which still barely scratched the surface of the opportunities that were available to me.
100 Submissions in a Year: notes on goals and rejection
Of course, most (if not all) of these opportunities are highly competitive. Which means that any writer (no matter how talented, no matter how successful) is going to submit a lot of unsuccessful applications. This isn’t necessarily a comment on the writer’s ability; particularly when judges have a lot of submissions / applications to sift through (literally hundreds or thousands sometimes), all kinds of other factors come into play. What the judge’s individual interests are. What they had for breakfast. Whether they need a wee. What they watched on telly the night before. How recently they argued with their spouse.
Dealing with so-called ‘rejection’
All these things are totally beyond a writer’s control. But does that mean you should stop submitting? Of course not! Because you never know – next time your work might catch the right judge at the perfect moment, and you get a lovely ‘congratulations’ email into your inbox.
So what can I apply for?
The arts world is constantly changing. As I’m sure many of us aware from the doom-and-gloom surrounding arts funding, opportunities and funding streams are disappearing all the time. Then again, new ones are always arriving on the scene as well, to the extent that it can be difficult to keep track of what opportunities are out there.
I’ll write another post sometime about how I manage my submissions, and how I keep track of opportunities I can apply to / applications I’m waiting to hear back on. But for now, I want to focus not so much on the individual opportunities themselves, but on where to look for them.
1: Arts Council England
The Arts Council is one of the first places I will look if I’m searching for funding – not just for writing, but for any artform. They have a number of funds you can apply for, but the two main ones are probably their Project Grants (for outward-facing, publicly engaged projects), and their Developing Your Creative Practice Fund (which, as the name suggests, funds artists to develop their creative practice in some way).
Arts Council England (ACE) only funds artists / writers / projects based in England, but there are equivalents if you’re based in other parts of the UK: Creative Scotland / Arts Council of Wales / Arts Council of Northern Ireland.
The Arts Council also runs Arts Jobs and Arts News: a listings service for arts related job offers and industry news. These can be viewed on the Arts Council’s website, or you can sign up to weekly emails and have relevant listings arrive in your inbox on a Sunday afternoon. It’s free, and most England-based arts organisations will list opportunities and jobs on here, so it’s worth signing up to.
As well as providing their own funding streams and listings, the Arts Council has a list of other sources of funding for arts projects. This is by no means an exhaustive list, but it’s a good place to start if you’re looking for a way to fund a project.
Note: a lot of these funds require you to be an organisation to apply. This doesn’t mean that they’re inaccessible for individual artists / writers, though. It just means that whatever your project is, you have to work with an organisation to bring it into being.
2 – Regional writing organisations
As well as funding bodies that cover the larger regions (England / Scotland / Wales / Northern Ireland), there are also dedicated writing organisations that cover sections of the UK. Mine is New Writing North. As the name suggests, New Writing North provide opportunities open to the whole of the north of England, including the Northern Writers’ Awards, which awards hundreds of thousands of pounds worth of funding to writers annually.
As well as funding, they also provide publicity opportunities for writers through schemes such as Read Regional, which gets local authors into regional libraries. They send out a weekly e-news sharing opportunities and news from regional writers.
Google your area to find your own regional writing organisation.
3 – The British Council
From local to further afield: the British Council works to keep cultural conversations between the UK and other countries. As such, they often have opportunities for artists (including writers) that involve some kind of overseas travel. Some of these are for arts organisations, or for arts professionals who are not artists in their own right, but they also have callouts for artists, and it’s worth checkout out their Arts Opportunities page from time to time.
4 – The Society of Authors
The Society of Authors is the writers’ union. They provide all kinds of support for writers, including grants for work in progress, and their annual prizes for both published and unpublished work.
If you’re a member, you also get all kinds of benefits, including legal advice, support with things like contracts, and money off books.
5 – NAWE
NAWE stands for National Association of Writers in Education – but even if you don’t work in education in any way, you can still take advantage of The Writers’ Compass, which brings together NAWE’s professional development programme with the advice, listings and opportunities on their website.
One particularly useful part of this is their Events & Opportunities page, where you can filter opportunities by jobs, funding, events, competitions & submissions, mentoring & coaching, and retreats.
6 – BBC Writers’ Room
The BBC Writers’ Room is particularly useful if you’re a script-writer, whether that’s for stage, screen or radio – although they do occasionally post opportunities that are open to all types of writers. Even better news is that their policy is only to post opportunities that are free to enter, so you’ll never have to pay an application fee for one of these.
7 – ResArtis
If it’s writing residencies you’re searching for, then you could do a lot worse than starting with ResArtis.
The site lists all kinds of residencies, including the sort that lure you in by saying anyone can apply, but then mention that they come with an extortionate residency fee. In these cases, what you’re getting is often the equivalent of an AirBnB, but with a ‘writing retreat’ label on it that pushes the cost up exponentially, so it pays to be careful.
However, they do also list some very well respected residencies, including those that just provide accommodation and time to write, as well as some that pay you to go and live somewhere and work on your creative art. Because the site lists so many residency opportunities, finding the ones that are most appropriate for you does take some filtering. I’d recommend sitting down one evening with a big glass of wine, and exploring what the site has to offer.
Note: unlike with the BBC Writers’ Room, a lot of opportunities posted on here do require an application fee, which is another reason for making sure you’ve read the fine print.
8 – The National Poetry Library website
As you’d expect, this one is really for poets. Mostly, I use their website to keep up to date with poetry competitions and upcoming deadlines. It lists competitions for poets at all stages of their writing development, from smaller competitions that seem to cater for emerging writers, to big ones like the National Poetry Competition. As with any listing service, it requires you to decide for yourself which are the most appropriate for you to enter.
The website also has advice for emerging poets, as well as a round-up of the UK’s major and independent poetry publishers, and a list of magazines where you could send your work.
9 – Other listings
As well as the National Poetry Library, there are other places that regularly list competitions and submissions opportunities.
- Creative Writing Ink has a competitions page, with regularly updated listings. As with the Poetry Library, these competitions vary in terms of size and prestige.
- Dublin-based writer Angela T Carr posts an extensive list of competition & submission opportunities on her website at the start of each month.
- The Poetry Society runs a number of their own competitions, which they list on their website. They also have an events listing.
- If you want a good way of finding journals & magazines that publish your sort of writing, look at the acknowledgments sections in poetry collections & short story collections. If a writer who is stylistically similar in some way has had a piece of work accepted by a journal, then there’s a chance the editor might like your writing as well.
10 – Google
I know it sounds obvious, but you’d be surprised how often people tell me they hadn’t thought of googling writing opportunities. Every so often, I will spend an evening in front of the fire, googling things like ‘artist in residence opportunities’ or ‘poetry competitions’ or ‘writing residency’, just to search out any of those things that might have slipped through the net of the listings. Sometimes, this will come to nothing, but every so often an opportunity will come to light, which will make it all worth while.
Good luck with seeking out those opportunites, and fingers crossed for those emails that start with the word ‘congratulations’!
Have I missed anywhere?
If there’s somwhere you go to seek out opportunities,
pop it in the comments below.