This week was supposed to see the paperback publication of my debut novel, My Name is Monster – about a woman trying to survive in a post-apocalyptic world, after the Sickness has killed her parents. Ironically, the paperback publication has had to be postponed because of Coronavirus.

(The paperback publication is now scheduled for January 2021, but don’t worry – you can still buy the hardback! And of course the e-book & audiobook are available from libraries.)

But it got me thinking: it’s amazing how much has changed since the hardback came out a year ago. Obviously, since June 2019 there have been som enormous global changes – perhaps the most obvious one being the current Coronavirus crisis. But I’ve also changed how I think about myself as a writer, and how I approach my creative practice.

Proof pages of My Name is Monster, by Katie Hale

It’s been a while since I quit one of my part-time jobs to focus more fully on my writing practice. Four and a half years, to be precise. Ever since then, I’ve described myself as ‘a writer’. And, ever since I signed my contract with Canongate about two years ago, for the publication of Monster, I’ve actually thought of myself as a writer, too.

Up until that point, I’d been thinking of my writing career in terms of individual progressions: a poem in a poetry journal; a competition win; a pamphlet published; acceptance on a mentoring scheme; getting an agent; finishing the novel; getting an offer of publication. And, even though every published writer I’d spoken to had warned me not to, I saw ‘getting published’ as the pinnacle of achievement. You publish a full-length book, and that somehow makes you a ‘real writer’.

So how did that work out?

In the first instance, I want to say that I was (and still am) hugely pleased with the finished book. I know writers who’ve been in the horrible position of hating their front cover, or opening the final copy to find it littered with typos. I’m lucky, in that Canongate are a superb publisher. I’m so proud of all the work I did with my editor; I love the hardback jacket design (and the paperback design is going to be pretty nice, too); and the publication really did (and still does) feel like a huge achievement.

But.

Once the book was out in the world, and I’d got over the post-publication library talks and festival appearances, and the initial thrill of seeing it in the Waterstones window, I was faced with the question: what next?

It was strange, the realisation that those individual steps kept on going, after publication. Some of those steps are to do with the book itself. For instance, My Name is Monster was shortlisted for a Golden Tentacle at the Kitschies Awards. It earned me a residency at Gladstones Library.

But for the most part, a writer doesn’t have all that much control over how a book is received after it’s out in the world. Instead, all those individual steps you have to take end up being about things that you can control. In other words: future projects.

My Name is Monster by Katie Hale - proof copy

So where am I now?

I signed off on the finished manuscript of My Name is Monster about a year before publication. During that time, there was a lot of proofing and line editing, but also a lot of moving onto something new, which has continued into the year since the book came out.

For the most part, I took a break from fiction. After all, a novel is a big beast to write, and I didn’t want to surface from one just to dive straight back into another. So, while I have been thinking about and planning a second novel, it’s mostly just stuff that’s been going on in my head – something to get down to writing post-lockdown. Meanwhile, I’ve been writing poetry (following on from my two pamphlets, I’m working on a full-length collection), and exploring writing short stories, which may or may not turn into anything.

And what about those individual steps?

I still feel like I’m taking step after step in the right direction. A competition shortlisting here. A journal publication there. And (before lockdown hit) a couple of writing residencies that allowed me to ignore admin work for a while and dedicate serious time to writing.

But mostly, those individual steps just involve sitting down at the desk every morning and writing: hitting a word count and working my way, ever so gradually, towards another book.

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My Name is Monster will be published in paperback in January 2021, along with a swanky new version of the cover. Till then, here’s a video of me reading from the opening of the book. Enjoy!

My Name is Monster – opening from Katie Hale on Vimeo.

I have some exciting news! And also a (very small, very simple) request.

Next Sunday, I’ll be in Edinburgh, reading from and talking about My Name is Monster at Edinburgh International Book Festival. And, as if this weren’t exciting enough, I’m also up for the festival’s First Book Award!

The Award is decided based on a popular vote, so what I’m asking is very simple: please vote for My Name is Monster to win the award!

It’s really straightforward – there’s an option to leave a short review, but you don’t have to. You just have to register your name & email address, and then click the big button marked ‘VOTE’. What could be simpler?

VOTE HERE

And if you’re still undecided, why not read the first page of My Name is Monster, to help you make up your mind:

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Extract from My Name is Monster:

When the world is burning, it’s easy to forget about ice.

Easy for most people, that is. I knew nothing but freeze for over a year. I lived with the ice, on the ice, inside it – locked on the island as the rest of the world grew desperate with rage and disease. As the missiles fell and cities were blasted by a thousand-degree heat, I struggled to keep warm.

Frostbite and a chill so keen it cuts right through the heart: that’s the price of survival.

Then what?

After everyone else was dead, I sat by a window for three days watching the glacier creak and break. When I took off my trousers, my skin flaked away and my legs itched. I scratched at the dead skin until I was pink and sore, then I got dressed again.

I thought about the scientists who had vanished into a crevasse twenty years earlier and were never found, how their little bodies would one day tumble out of the glacier’s mouth like babies being born, frozen solid and perfectly preserved in their brightly coloured thermals.

People used to think that ice is white, but it isn’t. There is all kinds of history inside it, waiting to be brought out.

… want to carry on reading? Click here to buy the book.

If you’ve glanced at this blog any time over the past few months, or if you follow me even vaguely on any social media platform, you’ll likely have noticed that my debut novel came out just over a week ago. ‘What’s that?’ you yell in mock surprise, a sarcastic hand flying to your cheek, ‘A novel? Well why didn’t you say something?’

Alright, I get the point. My Name is Monster came out ten days ago, and (with the exception of a photo of a giant bee) I haven’t really talked about much else since.

(Not really relevant to the post, but it was enormous!)

What actually happens when you launch a book?

In some ways, not a lot. One day your book isn’t available to buy in shops; the next day it is. This doesn’t always happen on the day you expect it to, either. Unless your book is embargoed till a specific date (think: queuing up at midnight for Harry Potter and the Deathly Hallows), bookshops tend to just put the copies on the shelves the moment they arrive in stock. This could be a few days before the book’s official release date, so that rather than some momentous arrival, they sort of trickle into the public. I didn’t realise this until it was actually happening, so it was a bit of a surprise when people started sending me pictures of the book out and about in the wild, before its official release date.

Books are a bit like elections, in that they almost always come out on a Thursday. Presumably this is due to some social study about us being more receptive to culture, or more likely to spend money, or just in a better mood in general, towards the end of the week. Who knows? My secondary school concerts were always on a Thursday too.

This means that some writers will wait to have their official launch celebration till the Friday, or the Saturday. Some will have it on the launch day itself. I’m not sure it matters really – I think it’s about what’s most convenient for the writer and the venue.

Usually, a launch will consist of a reading, usually in a bookshop or a library, followed by a signing and maybe some wine. This is what I did on the Thursday that my book came out, at Cakes & Ale: the cafe run by the wonderful independent Carlisle bookshop, Bookends. It was a lovely evening, filled with lovely people, and a nice long signing queue! This, I suppose, was my informal formal bookshop launch, and it was a lovely way to begin the process of sending Monster out into the world.

But I remember reading an article once, a long time ago, where someone said: You can do anything to launch a book. 

So of course, I also channeled my inner royalty, and had a garden party.

Obviously, since this is Cumbria, I planned for the rain, and borrowed a couple of party tents from Morland Choristers’ Camp, as well as a bell tent from touring Shakespeare company, The Three Inch Fools. (Who says being well-connected in the arts doesn’t pay off?) It was lucky I did, as well, because although the morning’s torrential downpour had eased off slightly by the time the party got underway, it was still a bit drizzly throughout the afternoon – not to mention cold!

But, weather aside, it was a joyful event: totally informal (although I did do a couple of readings from the book during the course of the party, and I signed a lot of copies). It was an opportunity to celebrate and to drink plenty of Pimms with plenty of friends. I highly recommend it as a way of launching a debut novel!

So what now?

Although the official launch events are over, I’ve still got plenty of opportunities lined up for talking about the book. Most of these are in Cumbria, but there are also a few a little further afield.

This is what I suppose most people would call a book tour – though I always find that term a bit misleading, because when you talk about being ‘on tour’, I think a lot of people imagine you’re away for long periods of time, staying in hotels every night as you travel from place to place. Whereas for me, I’m spending most nights in my own bed and just driving to each event the same way I’d drive to anywhere I was working on a project.

(Thanks to Will Smith from Sam Read Bookseller in Grasmere for this infographic!)

The exception to this is the London bit of the tour, where of course I will be staying overnight:

19 June:
The Feminist Book Society presents: Motherhood – the last feminist taboo // Waterstones, Tottenham Court Road, London, 6.30pm

20 June:
Writers’ Night: Katie Hale & Hanna Jameson // Foyles, Charing Cross Road, London, 7pm

So how do you organise a book tour?

Like everything else when it comes to publishing a book, it has to be done in advance. You can’t just decide a week before the book comes out that you’d like to do some events. I started talking to Bookends about my launch night back in November, and to Cumbria Library Service in about January. This advanced planning was particularly important for me, because I knew I would be out of the country for about 7 weeks in the lead-up to the book coming out, so I had to be on my toes from the start. (When in doubt, I always make lists – and I made a lot of lists in the months leading up to the launch.)

This is also where those contacts I was talking about earlier can come in handy. I already had a relationship with Bookends: apart from being my local bookshop (or one of them), they supported me with a guest slot at an open mic when my first poetry pamphlet came out, and are jointly responsible for Borderlines Book Festival (along with Cumbria the Library Service & Tullie House Museum & Art Gallery), where I ran a poetry workshop last year. Similarly, I had a contact at the Library Service, through a network we both used to sit on when I was working as a project officer for a literary project a few years ago. These sorts of connections aren’t essential, but it always helps if people know who you are before you ask them for a favour!

As for the other bits of the tour, they just sort of fell into place by themselves. The London events, and the Kendal & Lancaster Waterstones events, were organised for me by my publisher, Canongate. And the event at Sam Read Bookseller also came about through a personal connection: the lovely Will Smith & Polly Atkin, who fed me lots of pasta and jacket potatoes (not at the same time), while I was their neighbour as Poet in Residence at the Wordsworth Trust back in February.

How’s it all going so far?

Busy.

I don’t think I realised quite how much of an emotional and physical toll the stress / pressure / need to always be alert and sound intelligent would take on me. And that’s on top of all the worrying about whether people are going to actually like this book you’ve written.

Luckily, I’m starting from a good place. Not only do I have a healthy smattering of events lined up, but the book itself looks beautiful. The cover design is the work of Canongate artist Gill Heeley, and I think that goes a long way towards how the book has been received at a bookseller level. For instance, most places I’ve seen it, the cover has been face out (so that the front of the book is visible, rather than just the spine), and in some cases it’s even been on freestanding displays or on tables. All of these things increase the prominence of the book in the shop, and push towards it (hopefully) selling more copies. So I’m keeping my fingers crossed that it all continues to go well.

And in the meantime, I have this weekend to catch up on sleep, hoover my kitchen and curl up by the fire with a book – which means that next week, I’ll be raring and ready to try to sound intelligent in book events once again.

10 pieces of advice for launching a book:

  1. Do your preparation in advance. This goes from physical preparation like organising book events, to getting in touch with local press contacts, to writing blog posts etc that will go live on the day. Part of this is about creating some sort of hype around the book, getting people excited, and part is just reducing work for yourself. You want to make things as easy as possible for yourself when the launch day finally comes around. Also bear in mind, you’re going to have to talk about your book a lot, so make sure you know in advance what you’re going to say about it. I worked out my elevator pitch with my publicist back around Christmastime, and I’ve been practising things to say about the book ever since – usually in the car when nobody can hear me!
  2. Take lots of pretty pictures of your book. You’re going to be posting about the book a lot on social media. Whether you’re talking about receptions it’s had, or trying to promote book events, these things always look better if there’s an eyecatching picture to go with them. So make sure you have a stock of these (and maybe keep them in a separate album on your phone / computer for ease), because you don’t want to keep using the same picture every time.
  3. Plan your outfits. This sounds shallow, but deciding what to wear is hard enough even when you’re not stressing about the fact that your book has just been released to the world at large. If you have a selection of outfits that you know you can wear to book events, which you’ve chosen in advance, then it takes the pressure off. Also, these outfits can become part of your ‘look’ as a writer – which I suppose is a way of branding yourself. Maybe I’ll do another post sometime about branding yourself as a writer, as there’s too much to fit into one little corner of this post.
  4. Don’t try to go on a diet in the weeks directly before or after the launch. I know, I know. Even looking at this now it sounds like a stupid idea. Why give myself extra pressure? Besides, when you’re bombing around the county / country doing book events, sometimes you just need to stop on the way back home for late-night chips & gravy.
  5. Don’t try to squeeze writing funding bids in between a full week of book events. Or any particularly stressful work, for that matter. Save your time and energy for promoting your book. And if there are funding applications with deadlines around the same time as your book launch, try to find out about them in advance, so you don’t give yourself a frantic few days of multitasking. That said, don’t forget about the rest of your work life either. Emails don’t just go away just because you have a book out – if anything, they increase. Remember to factor in admin time.
  6. If you have to work on something, make it a creative project. Almost certainly, you write because it’s something you enjoy, because it’s a drive that comes from deep within you and you can’t ignore it, because it’s some sort of unhealthy addiction and there’s a peace to be found in giving in to the urge to write. This might actually be the exact antidote to all that pressure of the book being launched. While you’re writing, you can forget the stress and the hype and the pressure of the book you’ve just launched doing well, and focus instead on the craft of a new project. Lose yourself in something new.
  7. Eat well. Late-night chips & gravy notwithstanding, it’s important to eat well. Don’t skip breakfast. Don’t try to subsist on leftover chocolate cake from launch event number one. Don’t spend every evening valiantly trying to get through the leftover open bottles of wine and prosecco. Honestly.
  8. Get plenty of sleep. Promoting a book is tiring. The physical toll of doing numerous events on consecutive nights is bad enough, but the emotional toll of the stress of it, the worry over how the book will be received, and the mental toll of having to think of intelligent-sounding things to say all the time – all of these add up. Make sure to factor in days off when you can have early nights and lie-ins.
  9. Take time to enjoy it. I’ve talked a lot about the stress and the pressure of launching a book, but obviously it’s also a pretty exciting time. After all, this is something you’ve been working towards for years. For as long as you’ve wanted to be a writer. For a long time, this was your end-goal. Your I’ve-made-it moment. Enjoy it, because it’s going to go quickly, and you don’t want to back on it and realise that you were too stressed to actually savour your own achievement. You’ve produced a book and should be proud of yourself. Take moments to appreciate that.
  10. Give yourself something to look forward to when it’s over. As I said, most likely this was your end-goal for a long time. You’ll be hectically busy, but you’ll also be on an emotional high. But, as every parent-of-a-toddler knows, emotional highs are nearly always followed by an emotional crash. The likelihood is, once your manic couple of weeks are done, you’ll be feeling pretty flat. So give yourself something to look forward to. It could be a holiday. It could be meeting up with friends. It could just be sitting by the fire with a pile of books and an unlimited supply of pizza. Whatever floats your boat.

A Book Launch Week in Pictures:

 

‘When the world is burning, it’s easy to forget about ice…’

It’s here! Two and a half years after I sat down by the fire and wrote that opening sentence, not really sure whether it would ever amount to anything other than ‘that night I decided not to watch Netflix’, My Name is Monster is a real live book, for sale in regular (and irregular) bookshops.

It’s a slightly odd feeling, knowing that the book is out there in the public. It feels a little bit like going to the supermarket in your underwear – not that I’ve ever done that. It’s the knowledge that people will be reading it (hopefully) and judging it (hopefully not too harshly) and that it’s now completely beyond my control.

In a way, of course, it’s also very liberating – just as I assume it must be walking through the fruit & veg aisle in your knickers.

BUY MY NAME IS MONSTER ONLINE

What other people have said about the book:

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‘A terrific piece of writing; tough and tender and insightful. I loved it.’
– Joanne Harris, author of Chocolat

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‘A complex, accomplished debut. The prose dazzles while the themes of feminism, power and fertility sneak in for a gut-punch. It kept me gripped from the first page, and the characters continue to live and breathe in my imagination.’
– Kirsty Logan, author of The Gracekeepers

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‘Katie Hale has written two fascinating, flawed and compelling characters and, with only two people and an empty world, has created a novel that is gripping, insightful and unique.’
– Claire Fuller, author of Our Endless Numbered Days

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‘A riveting and disturbing novel, part twisted fairy tale and part dystopian nightmare, in which the primal human need to find meaning and love shines through the darkness of a ruined world.’
– Mick Kitson, author of Sal

Events:

Over the coming weeks, I’ve got a number of events lined up to help promote the book, both close to home around Cumbria, and further afield – specifically London and Cornwall. If you’re near any of these, it would be lovely to see you there:

  • 6 June: My Name is Monster book launch // Cakes & Ale Cafe, Carlisle, 7.30pm
  • 10 June: My Name is Monster talk & book signing // Waterstones, King Street, Lancaster, 6.30pm
  • 11 June: My Name is Monster book talk // Cumbria Library Services // Ambleside Library, Cumbria, 3pm
  • 13 June: My Name is Monster book talk // Cumbria Library Services // Roose Library, Cumbria, 2.30pm
  • 13 June: My Name is Monster book talk // Cumbria Library Services // Ulverston Library, Cumbria, 7pm
  • 18 June: My Name is Monster book talk // Sam Read Books // Emma’s Dell, Grasmere, Cumbria, 7.30pm
  • 19 June: The Feminist Book Society presents: Motherhood – the last feminist taboo // Waterstones, Tottenham Court Road, London, 6.30pm
  • 20 June: Writers’ Night: Katie Hale & Hanna Jameson // Foyles, Charing Cross Road, London, 7pm
  • 25 June: My Name is Monster book talk // Cumbria Library Services // Penrith Library, Cumbria, 2pm
  • 25 June: My Name is Monster book talk // Cumbria Library Services // The Old Courthouse, Shap, Cumbria, 7.30pm
  • 27 June: My Name is Monster talk & book signing // Waterstones, Kendal, Cumbria, 6.30pm
  • 28 June: My Name is Monster book talk // Cumbria Library Services // Dalton in Furness Library, Cumbria, 10.30am
  • 28 June: My Name is Monster book talk // Cumbria Library Services // Grange over Sands Library, Cumbria, 2.30pm
  • 27 July: My Name is Monster book event // Port Eliot Festival // Walled Garden, 11am

Or, in case you prefer things in a visual format, here’s a handy infographic of my Cumbria events (plus one in Lancaster), created by the lovely Sam Read bookshop:

Related posts:

My Name is Monster: the books that opened the door

From Idea to Book: My Journey to Publication

Last weekend, I went to the Open the Door festival at Glasgow Women’s Library, where I heard (among other people) Ali Smith talking about the books and writers who had opened the door for her. It got me thinking about the writers that did that for me – both for poetry and for prose.

In poetry, I think this is slightly more complex, as a lot of the poets who have opened the poetry door for me have done it not just through their own writing, but also as individual people I’ve worked with. But what about fiction?

I’ve talked before about how Penguin Random House’s WriteNow scheme gave me the confidence to think of myself as a fiction writer in general – but what about the specific novel? What were the books that opened the door to My Name is Monster?

Bookcase bookshop, Carlisle

1 – Robinson Crusoe, by Daniel Defoe

Robinson Crusoe is probably one of the more obvious influences on the book, as in many ways My Name is Monster is a reversioning of Robinson Crusoe. It’s the story of a woman who believes she’s the last person left alive on earth – and then she finds a girl. The book echoes Crusoe’s solitude on the desert island, his quest for survival, and his subsequent finding (and enslaving) of Friday.

I’ve always had quite a complicated relationship with Robinson Crusoe, ever since I had to read it during my first year of university. On one hand, it’s a story that occupies such a prominent place in our culture. It’s amazing how many people know the story (or at least the basic elements of it), without having read the book itself.

It’s also amazing how many of those people think they’ve read the book, even when they actually haven’t. And understandably – on both counts. There are numerous retellings of the Crusoe survival story, from The Martian to Castaway to Bear Grylls, so it makes sense that we think we know it. But the book itself is actually pretty heavy going. There are a lot of pages before Friday even appears (and before the famous ‘footprint in the sand’ moment), largely narrating Crusoe’s religious transformations, or going into very great detail on the mechanics of building a shelter. Despite being a story so many of us think we know, it isn’t exactly a page-turner. At least, not until the pirates show up.

And of course, there’s also the problematic colonial aspect to the book: its positioning of Friday as the enslaved native who Crusoe proceeds to ‘civilise’; Crusoe’s ability to lay claim to the island solely by virtue of his having been washed up there; the problem of his naming of things.

These were all aspects of the book that drew me in, and that made me want to answer it in some way. My Name is Monster is in many ways a reversioning of Robinson Crusoe, but it’s also a response to some of its themes.

bookshelf - Katie Hale

2 – Frankenstein, by Mary Shelley

As well as being a retelling of Robinson Crusoe, My Name is Monster is also very heavily influenced by Frankenstein.

Unlike Crusoe, I’ve loved Frankenstein ever since I read it – again during my first year of university. In some ways, the themes of the two classics are quite similar: both deal with one human’s desire to create and control another, and ways of coping with enforced isolation. Both ask who has the power to name a person or a thing.

But whereas Crusoe puts Friday in a position of subservience, Frankenstein presents two individuals with a much more complex creator / created relationship. They are really equal protagonists, and the questions this allows the book to ask are much more complex – questions that have shaped the genre of science fiction ever since, such as to what extent can a created being be considered human?

The question of how much we can truly create another conscious being is one that feeds directly into My Name is Monster – as, of course, does the name ‘Monster’.

Sliding ladders in Topping's Bookshop, St Andrews
Sliding ladders in Topping’s Bookshop, St Andrews

3 – The Road, by Cormac McCarthy

Given that My Name is Monster is set in an empty world, it’s perhaps unsurprising that there’s a post-apocalyptic novel on this list. I first read The Road when I was at secondary school, and it made a huge impression on me.

What I loved about the post-apocalyptic element to the book, was that that wasn’t the story. The story was the man and the boy, and the relationship between them. The post-apocalyptic setting was just the circumstances needed to tell that relationship story. This is something that interests me: the way something huge can have happened / can be happening in the world of the book, but we remain focussed on the central characters, and on the relationship between them.

Of course, The Road is also just a beautiful written book. The prose is so precise that it feels incredibly simple. But, like most things that appear simple, it’s a demonstration of huge writing skill, and an ability to cut away all the details that don’t really matter – something that’s much harder than it sounds in something the size of a novel!

writing prompt - Katie Hale

4 – The Shepherd’s Life, by James Rebanks

The most recent book on this list, The Shepherd’s Life, is only a few years old. It’s a non-fiction book about sheep farming on the Cumbrian fells. It’s a sort of love letter to the landscape I’ve grown up in, and to its agriculture.

When I first moved back to Cumbria after university, I was feeling a bit of resentment. It wasn’t that I didn’t love Cumbria (it’s beautiful, for one thing, and there’s a sense of individuals mattering here in a way that sometimes gets lost in cities) – but it was more that I felt like I ought to have gone somewhere else; this was where I started, and being back here felt like I hadn’t moved forward at all. Like a lot of people who move home / near home, I was worried I would revert to the person I was when I last lived here, aged 18.

Reading The Shepherd’s Life helped me fall in love with Cumbria again. Rebanks’ experiences of Cumbria are very different to mine; although I grew up surrounded by farms and fields and sheep, I’m not from a farming family, so I don’t have the same inter-generational relationship with the land. But the book is so connected to the physicality of the landscape that it helped me to feel connected to Cumbria again. I felt I understood the landscape in a way I’d only ever guessed at before – and that fed into the characters’ lifestyles in My Name is Monster.

My Name is Monster by Katie Hale - proof copy

5 – Oranges Are Not The Only Fruit, by Jeanette Winterson

Probably like a lot of queer people, Oranges Are Not the Only Fruit opened so many doors for me, not just in terms of fiction, but in life as well. Like The Road, I read it while I was at secondary school, and it shaped my understand of who and what could belong in a novel.

But it also influenced my understanding of character – the bold details that can make a character leap off the page, till you feel as though they’re somebody you’ve met – and of the unreliable narrator: something that was compounded when I read Winterson’s Why Be Happy When You Could Be Normal several years later.

The nods to history and fairytale and mythology in much of Winterson’s work is something that I often think about – something that also captures me in Ali Smith’s writing. I’m interested in the way in which all of this provides intertextuality, and gives the novel breadth, so that it seems to breathe beyond the confines of it’s 200-ish pages. Like in The Road, the focus remains on the character(s) at the centre of the story, but there’s so much more happening in our peripheral vision.

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My Name is Monster is due from Canongate on 6th June 2019, and is available for pre-order from all good bookshops.