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It all started when my phone had a water-based, toilet-shaped accident.

So I left it to dry in a bowl of rice and went to work without it. I didn’t need to use it – there were no family emergencies or missed appointments to contend with. There was no drama. If I’d had to pick a day to be phone-less, this probably would have been the best one.

And yet all day I felt its absence like a missing arm.

The next day was the same, as my injured phone continued with its rice therapy. I could literally feel my hand twitching to pick up and scroll through a phone that wasn’t there. It was like a phantom limb.

It wasn’t that I necessarily wanted to call or message anyone (I certainly didn’t need to), or even to post on facebook / twitter / instagram. It was just that I wanted to look.

I didn’t even have to think that I wanted to look at it – if I had, then I’d have blocked the thought by remembering that my phone was neither working nor with me. It was pure instinct. Every time I sat down, every time my hands were idle, every time the world stopped for a second, my hand twitched towards my pocket or my bag. It was just… normal.

It was so normal to me that it wasn’t until the afternoon of the second day that I realised what it meant: that I was addicted to social media.

And my next thought? I should write a blog post about that.

I suppose it’s hardly surprising that I think this way. I spend nearly all my ‘office hours’ on a laptop, often on social media, emails or Mailchimp. When I’m not in the office, I’m often writing (on a laptop) or blogging, or catching up with my own emails, social media, website and admin – all on a latop, phone or iPad. True, I’m not on a computer when I’m teaching my poetry workshops, but I do use my laptop for nearly all my planning. On top of all that, I live in a county with an ageing population and a defecit of 20-somethings, which mean that most of my friendships are long-distance ones, and an important ingredient of those is – yep, you guessed it – my phone.

I don’t think I’m unusual in this regard. Very few of my friends have off-screen jobs, and even those who do (like the teachers and theatre directors) are tied to computers, emails and / or social media for at least part of their work.

This isn’t anything new. At least, not very new. We can all see the way the world is and the dominance of the screen in our daily lives.

Before now, I’ve always thought of this as a good thing – or at least, never as a terrible harbinger of doom.

Technology offers a wealth of opportunity for people who can use it well – just look at some top bloggers, vlogggers and instagrammers, whose online presence and social following earn them thousands and thousands of pounds. And I know from personal experience that social media can be a great marketing tool.

But I hadn’t realised how much it had rewired my brain. My constant phone- and laptop-usage has literally altered my instincts. For me it’s actually changed how I live on this earth as a human being, and how I interact with the world around me.

More frighteningly, at least for me, is what it’s doing to my creative brain.

I hardly ever write with pen and paper any more. Apart from poetry, which I always draft in a notebook before typing up, I now type everything. I compose words through a keyboard. I paint in the rigid shapes of computer font, rather than my own individual (if untidy) handwriting. Where’s the personal aspect of that? Where’s the artist in the art? To me, it feels like trying to paint a Monet using children’s printing blocks.

When that thought first flashed through my mind, that I should write this post about my social media addiction, my initial reaction was, ‘how ridiculous’. My second reaction was: I can’t, I don’t have my iPad on me.

Writing had become so tied up with the keyboard that the notebook in my bag didn’t even figure in my thoughts.

So I fought against my instincts. I bought a coffee and a muffin (always a good start), sat down with  good old-fashioned notebook and pen, and wrote this.

And as I wrote, I thought: I should do this more often.

I felt more connected to what I was writing. More free to edit things and change them around. Less pressure for my writing to be ‘good’.

Yes, I always draft my poems in a notebook. But why not my prose? Why not drama? Why not blog posts?

Every cloud apparently has a silver liningg, and the silver lining to this little technology accident was the way it made me rethink my creative practice. It taught me not to fear the pen and the page. It taught me to separate the computer keyboard from the writing process, at least in the draftings stage. And it taught me not to keep my phone in the back pocket of my jeans.

My Writing Life: Week 9

Posting a day later than usual this week, due to a slightly hectic Sunday. (For ‘hectic’, read: writing a scene of a play, completing two funding applications and working on the bar at Box of Tricks’ Theatre Company’s show, Chip Shop Chips.)

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Which pretty much sums up the whole week, really. In the best possible way.

As well as the Sunday madness mentioned above, this week has seen: a meeting in Kendal for some work I’m doing with Curious Minds (through New Writing Cumbria) – followed by a chai latte at one of my favourite Kendal Coffee shops, Brew Brothers; a comedy night at Penrith Old Fire Station to raise money for Cumbria Flood Appeal, ft. Rory Bremner, Justin Moorhouse, Fred MacAulay and Wendy Wason; a trip to Penrith’s independent cinema to see the NT Live broadcast of the National Theatre’s As You Like It; a very successful meeting at Clifton Primary School to talk about Arts Award; a trip to Carlisle to visit Prism Arts’ Creative Arts & Conversation group; cooking this week’s communal lunch at Eden Arts; writing a couple of new scenes of a play; and another funding application.

Phew!

And you know what it’s made me realise? That I don’t do enough.

No, I don’t mean that in terms of work. In terms of work, I don’t really stop. This is because I’ve spent several years cramming all of my writing and my freelance work into my spare time. So now, having freed up a lot more time for writing and freelance work, I should have lots more spare time. All that time that used to be writing time should now be free.

But there’s a problem: I no longer know how to spend free time.

I know that sounds stupid. But seriously: I had a couple of hours the other day and I seriously couldn’t work out what to do with them. It’s like I’ve forgotten what to do with time that isn’t spent reading or writing.

So that’s one of my targets: to reclaim my free time. More particularly, to reclaim my weekends. (Getting out of bed on a Monday morning is so much harder when you’ve just spent the whole of Sunday working flat out.)

I’m not quite sure what I’m going to do with this free time that I’m determined to make. Something non-word-based. Maybe something outdoors-based? I think I’d like to get back into photography. And maybe do more crafting as well – something I’ve done very little of so far in 2016.

But something that doesn’t let me suffer from creative burnout.

Watch this space!

The week in pictures:

My Writing Life: Week 7

You know those weeks where you think you’ll take it easy and focus on one thing, then by the end of it, you’ve created two new arts projects, drafted three new poems, written 25% of a play, read four books, kept up to date with all your admin, and somehow managed to find time for a bit of a social life as well?

No?

Well this week has been one of those.

The ‘one thing’ I was planning to focus on was the play, so actually 25% is slightly (though only slighlty) under what I wanted to write of it this week.

But, as seems to be my new norm, I’ve been slightly distracted by the poems clamouring for space in my head. I tried (not entirely successfully) to save up the poetic energy till yesterday – when I took part in Kim Moore‘s Barrow Poetry Workshop. As always, I came away from the workshop with something that I want to work on. Poetic energies = successfully channelled.

As for my other artistic energies?

As I was driving home from a busy day at Eden Arts on Tuesday, I started thinking how it was over 2 years since I’d done any guerrilla poetry style projects (the last one being Beneath The Boughs at Lowther Castle in 2013), and how I should probably think about doing another one in the next year or so. By the time I pulled into my drive, I had fully planned not one, but two, new arts projects. By the time I’d made and drunk a cup of tea, I’d ordered all the materials for one of them.

Project 2 is still under wraps for now (though if you have an unloved teddy bear you want to donate to it, drop me a line), but I launched the first project today:

Poetry Plaster Packs aim to spread a little poetry, joy and healing. Each one contains:

  • a plaster (for the literal cuts and scrapes)
  • a cheerful little poem (for the figurative ones)
  • a little gift – because let’s face it, who doesn’t love a present?

Today, I left 40 little Valentine’s Poetry Plaster Packs around Penrith: under car window wipers, stuck to ATMs and inside phone boxes, on dryers in public toilets, and stuck to parking meters.

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I’ve already had a couple of lovely comment from people. One recipient tweeted this:

While someone else emailed me via my website: ‘With my 3 year old daughter and locked my keys in the car.. your little plaster pack brightened up my day.. and the sweets kept my daughter entertained until the spare set got to me about 40 minutes later. So thank you.’

So far a success! Definitely more Poetry Plaster Packs to follow…

In other news, the Cumbrian weather finally feels like it’s turned (though I’ll say that cautiously, because I don’t want to jinx it). At least, it’s currently snowing, which makes a change from rain, and we’ve had a couple of sunny days, which have meant I’ve been able to go for little strolls along the lanes whenever I’m struggling with a piece of writing: something that never fails to help me find a solution.

The week in books:

  •  Duncan MacMillan, Lungs
  • Nick Payne, Constellations
  • Zinne Harris, How to Hold Your Breath
  • Ariel Dorfman, Death and the Maiden

A week of theatre this week, in an attempt to keep myself in the playwriting zone. Death and the Maiden has been sitting on my bookshelf for sometime, just waiting to be read, so I figured it was probably about time to give it a whirl. Definitely a good decision to read it.

The other three are more recent plays, and are the three that I (perhaps rather extravagantly) bought last week at the National Theatre bookshop. But money spent on books is never a bad thing, and these three were all such great plays that I’m not sorry at all. How to Hold Your Breath is particularly one that stayed with me; after I read it on Tuesday night, I had a really unproductive morning on Wednesday, as I just couldn’t stop thinking about it! Definitely the mark of a good play.

The week in pictures:

My Writing Life: Week 6

It only feels like a day ago that I was writing last weekend’s blog post, and yet, it also feels like months ago… One of the sure signs of a busy week.

Busy, yes, but also satisfying, hugely enjoyable, and out of the ordinary. In fact, I’m beginning to think that this new life doesn’t have an ‘ordinary’ at all…

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It’s been quite exciting admin-wise. During my day a week at Eden Arts, we set up and organised a monthly wordy open mic night, Word Mess, which will start in March. I’ve also been handing out leaflets and posters for the Three Inch Fools’ Easter Shakespeare workshops.

Aside from that, it’s been almost a direct split between writing and relaxation.

I spent a couple of days in London, staying with the lovely Supal for a much-needed catch-up and a wander round the capital. We spent a good deal of time in independent book and coffee shops – including the delightful Primrose Hill Books, where I impulse bought a book called The Penguin Lessons (about a teacher at an Argentinian boarding school who rescues a penguin from an oil spill and takes it to live on his terrace at the school). Because let’s face it: who can resist a book about a penguin…? Certainly not me!

I also finally made it to the Attendant Cafe. Attendant is an underground cafe, created in an old public toilet. I’d heard about it ages ago on a couple of travel blogs, and couldn’t wait to visit for myself. (I have a bit of an obsession with toilets; when I was travel blogging I used to publish a ‘Loo witha View’ series, of unusually beautiful views from toilets from my travels). Fittingly, then, this trip to Attendant also doubled up as a chance to chat about blogging and travelling with Supal, who runs chevrons & eclairs.

But London wasn’t all coffee and sightseeing. I also spent some time sitting in one of the work spaces in the National Theatre, via spending a little more money than intended at the National Theatre Bookshop. As you may guess from this week’s reading list (below), I’m currently in playwriting mode. I couldn’t think of a better place to work on a play than in a quiet corner of the National Theatre itself.

Back up north, I spent a day at a poetry workshop at Tullie House Museum & Art Gallery. Tullie House are currently hosting the National Portrait Gallery’s Picture the Poet exhibition. As part of the exhibition’s outreach programme, they’re working with Apples & Snakes to run poetry workshops (leading to a showcase) for groups around Cumbria. One of these groups consists of Tullie House Youth Panel, along with one of my young writers from New Writing Cumbria’s Rabbit Rabbit (rabbit) group. They’re working with poet Jenny Lindsay, who ran a fantastic worksop, as part of a series that will eventually lead to all of the young people writing an individual poem and a group piece.

Needless to say, I took advantage of the workshop and drafted a poem of my own. I may be attempting to focus on playwriting, but somehow poems just keep popping up in my head – and who am I to deny them their existence?

The week in books:

The week in books

  • Sarah Corbett, And She Was
  • Mark Ravenhill, Shopping and F***ing
  • Sarah Kane, Blasted
  • Tom Michell, The Penguin Lessons
  • April de Angelis, Plays: 1 [Ironmistress; Hush; Playhouse Creatures; The Positive Hour]

This week has been largely about drama. It’s been a mixture of re-reads (Blasted, Shopping and F***ing and Hush) and new reads (Ironmistress, Playhouse Creatures and The Positive Hour), which has been both fun and refreshing.

I also read Sarah Corbett’s And She Was, which has been sitting in my car for the past few months, begging to be taken inside / into a coffee shop and read. I saw Sarah perform at Ilkley Literature Festival, and got her book (along with Mona Arshi’s Small Hands, also published by Pavillion Poetry) shortly afterwards.

There was also, of course, the book about a penguin that I picked up in Primrose Hill. Because, once I’d bought it, I could hardly resist reading it, now, could I?

The week in pictures:

A little bit of everyday life this week, from insightful passages in books, to cafes, to birthday cake:

 

My Writing Life: Week 4

I’ve always been a bit contrary. Even when I was at school, I never wanted to do the thing I was supposed to be doing – but in my own special geeky little way. I still worked hard, but I did French homework when I should have been concentrating on maths revision, and then maths homework when I should have been learning French vocabulary.

This week has been a little bit like that.

Recently, I’ve been thinking in plays. I firmly believe that different ideas come in different shapes: some are poem-shaped, some feel like pieces of drama, and some are undoubtedly novels. Recently, I’ve been having a lot of play-shaped thoughts, so at the start of the week, I decided to focus on playwriting and start drafting a piece of theatre that’s been gestating in the recesses of my brain for the past few months.

But, in typical me fashion, no sooner had I started getting words on the page, than my brain started firing off poems with all the frequency and urgency of a machine gun. Which is wonderful! But also slightly irritates the planner in me.

But the plus side of all this is that this has been my most productive week for poetry in over a year, which is wonderful.

It’s also been a week of meetings, starting with a very positive meeting at Shap School, about the prospect of running some workshops there, followed by the lovely weekly informal over-lunch meeting at Eden Arts (the first I’ve been able to make in a long time), and rounded off with a great meeting with James of Three Inch Fools (touring Shakespeare) to talk about marketing for their Easter workshops and performances.

It’s also been a week of flooding and books…

The week in books:

  • Angela Carter, The Bloody Chamber
  • A S Byatt, The Djinn in the Nightingale’s Eye: Five Fairy Stories

This week has been a week of modern fairy tales. (I was tempted to add Gail Carson Levine’s Ella Enchanted to the list, but I figured I should probably spend the time writing instead.) On Tuesday, I’d planned to pop into Prism Arts in Carlisle for a catch-up, but the wind and rain were so wild that I decided it was safer staying at home. As the river crept further and further back up the road, I snuggled up in front of the fire and read a book that’s been on my to-read list (and on my bookshelf) for years: Angela Carter’s The Bloody Chamber. After that, I was on such a roll with fairy tales, that I decided to also read A S Byatt’s The Djinn in the Nightingale’s Eye: Five Fairy Stories. Not only were these great reads, but I think they maybe had a slight influence on my wrting this week, too:

 

 

Not really any pictures from this week, but I did make a little for-fun video of last week’s trip to Morocco. The main outcome of this was my realising that I need to take much more video footage when I travel somewhere:

 

72 hours in Marrakesh from Katie Hale on Vimeo.

My Writing Life: Week 3

Three weeks into my new writing life, and I finally feel like I’m getting into some sort of rhythm. Which is strange, when you think that I haven’t yet had a ‘normal’ week. Take this week, for instance, where I spent the first two days of it in Marrakesh, bartering, discovering and soaking up the sun instead of writing. (Don’t worry, though – I’ve had a few very productive days to make up for it.)

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But it hasn’t just been poetry I’ve been writing this week, though I have written and edited a good deal of that. I’ve written a little bit of drama. I’ve also been writing tweets.

Yes, this is the week that I created a trending hashtag on twitter.

For those of you who saw it, I’m talking about the #derangedpoetess controversy. For those of you who didn’t see it, let me give you a brief bit of background:

In last week’s Sunday Times, journalist Oliver Thring published an article about recent T S Eliot Award-winner Sarah Howe. On Friday, sparked by a tweet from Amy Key, a number of poets accused the article of being sexist.

I saw Amy’s initial tweet, followed her link to the article, and watched the responses begin to unfold. To be honest, my opinion was that the article probably wasn’t intentionally sexist; it was just bad writing. But you can read the original article here and decide for yourself.

If you ask me, the really unforgivable sexism set in when Oliver Thring, rather than holding his hands up and apologising for any accidental offence, tweeted this:

Well, it isn’t every day you get to respond to a term like ‘deranged poetess’! I tweeted a photo of myself writing, looking very calm and serious, and captioned it as a ‘definitely deranged’ poetess. Then I made it a hashtag.

The hashtag then began trending, and was even written about in a Guardian article! The rest, as they say, is history.

It hasn’t all been social media controversy this week, though. Aside from writing in my now Moroccan-goods-filled house, I’ve also been getting over a cold – aided by some medicine I picked up in a Berber pharmacy in Marrakesh. It’s a black powder, which you wrap in a hankie and inhale the scent, a bit like an olbas inhaler. It instantly clears the sinuses – like a miracle cure! Though I would quite like to know what it is that I’m inhaling… Anyone have any ideas…?

It’s also been a week of reading (though not quite as much as I’d have liked), arranging meetings and organising some volunteering work. And socialising! I know – very unlike me… Apparently writing and having a social life actually can go together!

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The week in books:

  • Sebastian Faulks, Birdsong
  • Ella Hickson, Eight
  • Mona Arshi, Small Hands

A novel, a play and a collection of poetry: feeling pretty well-rounded in my reading this week. I actually bought Small Hands way back in October at Ilkley Literature Festival, and it’s been sitting in my car ever since, waiting for me to take it into a cafe and start reading it. Unfortunately, my cafe time has been a bit limited since then. But I must say, the little book has waited very patiently, and was well worth it. Some beautiful poems, and also a couple that I could use for teaching, which is always a bonus.

The week in pictures:

As promised last week, this week I’m sharing my photos from Marrakesh. Not necessarily very writer-ly, but full of beautiful bright colours and gorgeous blue skies.

My writing life: week 2

Writing poetry with a cup of tea. Katie Hale, Cumbrian poet / writer etc
Poetry & a cuppa

Confession: at the time of writing, the week is not yet over. I wrote and scheduled this post on Friday. Why? I’m currently in Marrakesh.

Bearing that in mind, it’s been a much shorter-than-usual week for writing, truncated even further by the fact that I’ve spent two days at the New Writing Cumbria office, rather than the usual one. I’ve also been delving into the joys of my tax return.

But even despite all that, I’ve been loving the writing time.

I wrote a poem about a whale, which I think is already very close to the final draft stage. I also discovered a very old draft of a very old poem (well, 3 years old), which I had completely forgotten about, and was able to rework into a completed piece. To make matters even better, it became a gogyoshi-ku. Thanks, BAR poets and Jacob Sam-La Rose, for introducing me to that particular poet form. Oh, in case you were wondering, a gogyoshi-ku consist of a gogyoshi (5-line poem that otherwise has no formal structure) followed by a haiku.

I also did something faintly amazing, and organised my computer filing system for my poetry. Whereas before I had one folder called ‘Poetry’, full of everything from finished pieces to brief jottings that should probably never be revisited, I now have a beautifully streamlined system of folders that gives me a geeky little tingle every time I think about it.

For the organisation geeks among you, my ‘Poetry’ folder is now organised like this:

  • Finished Poems
    • Published poems
    • Waiting for news [submitted to magazines]
    • Other poems
  • Poems to work on
  • Misc. documents
    • [archived drafts and jottings, filed by year]

And, inspired by the wonderful Kim Moore, I’ve now also created an Excel poetry submission spreadsheet, with a list of poems down the side, a list of magazines & journals to submit to across the top, and colour-coded boxes according to whether the poems have been accepted or rejected, or are waiting a response.

Now it’s just a case of making those systems work!


The week in books:

  • [still reading] Sebastian Faulks, Birdsong

(Though in fairness, it is a long book. And with the train ride to the airport and the long-ish flight to Marrakesh, I may have finished it and be onto something else by the time this post goes live.)

The week in pictures:

Photos of Marrakesh to follow next week!

 

 

 

My writing life: week 1

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One week into my new life as a real life writer (!) and it’s time to take stock and see how it’s treating me. Admittedly, it hasn’t exactly been an average week…

I spent most of it in Portugal, thanks to my lovely parents, who decided that after the stress of leaving a job, I needed to relax before really knuckling down to any hard-core writing. So it’s been a week of sun (in small quantities), sand and seafood.

Not working and relaxing abroad means plenty of time for reading, and some time for writing thrown in. Having half-heartedly resolved to write a limerick a day in 2016, this week I’ve managed to write five. (5/7 is pretty good, right?) It’s a great way of practising rhyme without embarking on anything too serious, and a fun way to start the writing day. Here’s my favourite from the week:

There once was a high-handed billy goat
who purchased an outmoded frilly coat.
He thought it looked neat
as he flounced down the street,
but really he looked quite the silly goat!

Naturally, I’m not expecting quite so many late lunches and walks along the beach next week – especially with two days away from the writing desk and in the New Writing Cumria office, and a tax return to complete (joy of joys…)

But I’m definitely aiming for another 5 or so limericks, and plenty other writing besides.

The game, as Mr Holmes would say, is afoot!

The week in books:

  • E. Nesbit, The Enchanted Castle
  • H. G. Wells, The Island of Doctor Moreau
  • William Carlos Williams, Selected Poems
  • Claire Gaskin, a bud
  • [currently reading] Sebastian Faulks, Birdsong

This week has mostly been about novels and imagist poetry.

I started off with The Enchanted Castle, which is a classic Nesbit story about a princess (sort of) and a magic ring, and four children who have a magical adventure – and just what I needed to carry the Christmas childhood feeling forward into the new year. Then, shattering that childhood magic into a thousand sharp-edged pieces, I read The Island of Doctor Moreau, which I can only describe as Animal Farm meets Frankenstein meets Lord of the Flies.

William Carlos Williams is an interesting one – largely because he’s really not my cup of tea. Other than the two poems I knew before reading the collection (think: red wheelbarrow and plums in the icebox), there were only two poems in the whole book that I really, really liked – and they came within the last 5 pages. I’m chalking it up to 230 pages of perseverance.

Currently reading: Birdsong, by Sebastian Faulks

The week in pictures:

Yesterday, I posted the trailer to my upcoming musical, Yesterday.

Created in collaboration with friend and composer Stephen Hyde, Yesterday is an intimate new musical telling the story of Alex: a charming, vulnerable and adulterous man. The story is told from the perspective of the three women in his life: the mother who smothers him with love, his deceived wife searching for hope in their marriage, and the the teenage girl in whom he finds solace.

Here is one of the songs from the musical, recorded by Vulture Sessions. Performed by Georgia Figgis, Jemimah Taylor and Joanna Connolly.

More about the musical here.

 

It’s always exciting as a project races towards its conclusion, seeing all the various strands coming together, slotting into place one after another, often surprising quickly. It’s like solving a rubix cube: one moment it’s a jumble of colours, then suddenly it’s organised and complete. (Or rather, it’s like watching someone else solve a rubix cube – I’ve never been very good at them…)

That’s how it’s been with Yesterday, the musical I’ve written with friend and composer Stephen Hyde. It feels like only yesterday (sorry!) that it was a vague idea we were discussing on afternoon walks in the countryside – and suddenly, it’s complete, cast and in rehearsal.

And to prove it, there’s a trailer:

Yesterday premieres in Oxford, at the Burton Taylor Studio, 16th – 20th June 2015. Tickets available here.

Manly Beach, Sydney, Australia

Last week on my travel blog, Second-Hand HedgehogI talked about the joy of doing work, and the satisfaction that comes through hard-earned achievement. Today I want to turn that on its head – sort of. Actually, I think they’re more like two sides of the same coin.

It’s all very well forcing yourself to do the work that deep down you know you need to do, but it’s quite another thing to do it constantly, and it’s easy to wear yourself out. I’ll hold up my hand as guilty to this – sometimes, I just need to learn when to stop working and rest.

This is probably partly why the travel bug first bit me so hard. I’ve always been a busy person (I was that girl at school who was in every lunchtime club and after-school group going), and I used to fill up my school holidays with camps, courses, projects and, later, with paid employment. Going away on holiday took me away from all of that, and just let me rest. I would sight-see, read books, lounge by the pool or in the sea, and not really have to think about all the things I would normally be thinking about at home.

And this has only become even more pronounced as I’ve got older. At university, I took a year out of my degree to study abroad in Melbourne: a fantastic experience that also meant I was less stressed and more prepared to take on my final year of university. (And come out with a fairly good mark – though of course I don’t like to brag…)

Now I’m working two jobs, plus the odd bit of freelance work, plus trying to find time to write, plus blogging, plus trying to run a house (though I’ll admit the housework does tend to take a back seat – as in, really far back).

Travelling to get away has become essential.

Suitcases on a boat heading for the horizon, Yasawa Islands, Fiji
~ heading for the horizon: Yasawa Islands, Fiji ~

But my problem? I can’t switch off.

This is partly literal: I have a smartphone and everywhere has wifi, so I’m constantly instagramming my travels / updating facebook / tweeting / responding to emails etc. etc. But it’s also a mental thing. I can’t seem to switch off this feverish part of my brain that always insists: you should be working, not idling about enjoying yourself, because goodness knows you’ve got SO much to do, and it isn’t going to happen by accident, you know, and what happens when you suddenly look in the mirror and realise you’ve reached your dotage and not achieved anything you wanted to achieve in life…?

Let me give you an example: a few months ago, I went down to London for a long weekend to visit some friends. I arrived in the evening, stayed overnight with one friend, and then had about 8 hours in the city before meeting up with the second friend. I planned to spend those hours in galleries and museums, soaking up some culture and and enriching my mind / soul / whatever.

This went fairly well for a few hours. I spent some time in the V&A, admiring the sculpture and following their Shakespeare Trail, then having a picnic lunch in their courtyard while watching the children playing in the fountain and splashing their parents.

Then I felt that familiar niggle at the back of my mind. Maybe it was the presence of all this great art, reminding me that I should probably be working towards creating something of my own. Maybe it was the constant bustle that a gallery (and a city) provides, reminding me that I ought to be busy. Maybe I’m just no good at stopping and relaxing.

I left the V&A to see if the National Gallery could hold my attention for longer, but no: I’d barely been in there fifteen minutes when I started to feel restless.

The result? I spent the next two hours sitting in a coffee shop overlooking Trafalgar Square, working on my writing.

Beach Cafe, St Ives, Cornwall
~ a bit more relaxing than the cafe in Trafalgar Sq: St Ives, Cornwall ~

I’m not saying that’s necessarily a bad thing. Generally, any time I spend writing I see as time well spent. It’s definitely something I’d like to do more of.

What worried me was my absolute inability to relax. It was like an addiction: twelve hours without working and I was getting withdrawal symptoms. I couldn’t concentrate on anything, I felt restless, and the weight of my notebook in my bag was like a constant pressure on my mind. As much as I promote living a life of creativity, that can’t be healthy – can it?

Probably not, but after I’d done those couple of hours of work, I felt much calmer, and enjoyed the remainder of the weekend far more.

Let’s contrast that with a slightly more recent experience.

A couple of weeks ago, I spent about ten days working intensively and (almost) solidly on a writing project with a collaborator. We created tons of material, pretty much draining ourselves of our creativity by the end of it. That’s ok – we had a limited amount of time together and needed to get the work done before we parted ways.

But at the end of it, I forced myself to take a day off from the project. It might not seem like much, but that day allowed me to recharge my creative batteries, and get the project back in perspective.

Yes, I missed the intensive writing I’d been doing on the previous days, but actually, it felt like a bit of a relief to take a day to myself. And for me, that’s where the difference lies: do I have a burning desire to create, or not?

If that burning desire is there, then maybe the break from working can be postponed. After all, nobody wants to shut the door in the face of inspiration.

But if you’ve drained yourself of all your creativity, if you’re just bashing out words for the sake of it, then that’s the time to stop. Take a break. Go for a walk and admire the landscape, or head to a coffee shop and people watch for an hour or so. Take a day to do the housework and ignore your creative projects. Spend a long weekend in a city you’ve never explored. Relax for a week or two on a tropical beach.

The most important thing I’ve learned is to listen to myself: my body / mind / soul / whatever bit of me it is that does the creative thinking. If it’s exhausted and in desperate need of a rest, I humour it. It’ll work that much better once I start again.

Sunset on the beach: Jake's Point, Western Australia
~ relaxing with a sunset on the beach: Jake’s Point, Western Australia ~