[Theatre by the Lake, Keswick]
A house in the country. A pretty but distressed girl running from her angry German stepfather. A rumour-mongering woman with a downtrodden husband. A vicious cat, and two slightly hapless cousins waiting for something interesting to happen.
Let chaos ensue…
From the moment we saw the stage, Martin Johns’ set created the tone for the rest of the play: large, respectable, and plenty of doors for hiding places and near misses.
Despite a slightly slow start, Ian Forrest’s stylised production of Ben Travers’ Rookery Nook lived up to expectations. Much of the joy in a farce comes from dramatic irony (knowing something the characters are yet to discover), and this was dealt with superbly by all of the cast.
However, and the scenes of comical violence were less convincing. At times when no action or revelation were occurring, the pacing sometimes felt baggy, as though the play was treading water until the next moment of hilarity. During those hilarious moments, though, we frequently found ourselves laughing out loud, and losing ourselves in the conceit of the play.
The central pairing of conspiratorial cousins Clive and Gerald Popkiss (Bryn Holding and Matthew Vaughan) provided a strong backbone for the play, as they sought to help beautiful ingénue Rhoda (Cate Cammack). Cammack’s initial entrance provided a breath of fresh air for the drama, and it was at this point that the first act really took off.
Chris Hannon’s physical comedy as the downtrodden Harold Twine was well maintained, as his wife (Katie Hayes) sought to unravel the mischief, helped judgmental housekeeper Mrs Leverett (Laura Cox) with her slightly questionable accent.
A special mention needs to be made for Katie Norris’ portrayal of floozy Poppy Dickey; although only on stage for a short time, she provided fun and laughter, and ‘flags for the lifeboats’ became the quote of the night!
Overall, Rookery Nook was an enjoyable evening out, and we came away smiling. Some of the dialogue could have been tighter and the action slicker, but this is something that I’m sure will improve as the performance run continues, and the production becomes the crisp, funny farce that it has the potential to be.