For some reason, I thought things would quieten down once the Fringe was over. I thought September would be a fairly easy month, where I could focus on redrafting the novel without much distraction.
Wrong, as it turns out – though in the best possible sense.
To begin with there was a month’s worth of admin & emails to catch up with, where I’d spent the whole of August concentrating solely on the Fringe. Turns out that coming home to several hundred emails in your inbox does actually take some time to deal with – and catching up on sleep can be even trickier to fit in. But at least once that was all done, September could really get underway.
I’ve had a couple of performances this month, the first of which was Lakes Alive Festival in Kendal. My performance took place in a giant teepee in the afternoon, but in the morning I created a Poetry Cairn. Over the course of a morning, I invited passers-by to talk to me about poetry. What does poetry mean to you? People were then encouraged to write their answer on a stone and add it to the cairn, so that by the end of the morning, we had built a cultural landscape marker of our own, marking people’s relationships to poetry.
I was also thrilled to be part of a second festival this month, hosting an Adult Youth Club event at Rheged, as part of Eden Arts’ C-Art Festival. Based on the idea that you’re never too old to have fun, the event featured music from Ekobirds and poetry from the fantastic Loud Poets collective, as well as a quiz, and tables strewn with crayons & modelling clay.
And continuing on the poetry theme, this month also brought National Poetry Day. This year for National Poetry Day, BBC Local Radio commissioned 12 poets (one from each region) to write a poem based on a local dialect word. The project was called #FreeTheWord, and was run in partnership with the Oxford English Dictionary.
I was selected to represent Cumbria in the project, and wrote a poem based on the verb ‘to twine’ (meaning ‘to moan’ or ‘to complain). The poem is called ‘Ode to Twining’ and you can read it and watch the video here.
But September has also been a month of fiction. Despite everything else, I’ve also been working on my novel, which is now at the redrafting stage. I think I expected this stage to be easier than writing the first draft. After all, at least I wouldn’t be confronted with the monolithic blank page. But actually I think it’s harder. There’s more pressure when you’re redrafting. Suddenly it starts to matter whether it’s ‘good enough’, whereas before it was just about building up the word count and getting the bones of the story down on the page. Suddenly, I’m having to try to hold the whole novel in my head at once.
But that doesn’t mean it isn’t enjoyable – which is a good thing, as I was worried I’d be less fired up by the manuscript once I’d written how the story ends. Hopefully, this means I’m doing something right. Penguin Random House seem to think so, so that’s encouraging!
And speaking of PRH… Last weekend I was invited over to Newcastle, to speak at the next round of WriteNow Live insight days. This is part of the shortlisting process of the second year of WriteNow, and as one of the first year’s mentored writers, PRH asked me to go and talk about my experience of the project so far, and the impact it’s had on me. Mainly, I talked about how being accepted on the scheme, and having someone champion my work, has boosted my confidence, and help me overcome those internal barriers to writing the manuscript in the first place. You can read the whole speech here, if you fancy.
Then suddenly September is over, October has arrived, and it’s well and truly autumn. Guess I’ll just have to spend those chilly autumn days snuggled up inside & working on my manuscript!
The month in books:
It hasn’t been a bad month for reading, although as always, I wish I could carve out more time for it. Especially now the nights are drawing in; there’s nothing better than curling up by the fire with a mug of hot chocolate and a good book.
- Urban Myths and Legends (Emma Press anthology)
- Often I Am Happy, by Jens Christian Grøndahl
- Russian Roulette, by Anthony Horowitz
- Good Bones, by Margaret Atwood
- Imaginary Friends, by Philip Pullman
- Room, by Emma Donoghue
- The Power, by Naomi Alderman
- The Unaccompanied, by Simon Armitage
The month in pictures: